SEVENTH MAN

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Wendy Bevan is every inch the dark chanteuse this generation is missing. Dancing between music, performance and photography Wendy’s practice is panoptic. Treating her photography as an extension of the stage, her work explores the complexities of womanhood against the backdrop of the modern archetype of female identity. Unapologetically breaking away from the mainstream, her work welcomes in the femme fatale and celebrates the theatricality of the gothic.

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NOTION INTERVIEW: WENDY BEVAN TALKS PUNK ICONS, ANDY WARHOL AND MASTERING HER ART

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The spellbinding Wendy Bevan is an artist in the fullest and most authentic sense, freewheeling between music, performance and photography to usher us into the scope of her vivid and dramatic imagination. Portraiture is a surreal exploration of the self: Wendy herself melts and morphs wherever a concept leads her. Having just released her Sweet Dedication EP she’s been captivating the UK with her ethereal, electronic creations, warming up our ears for her debut Rose & Thorn later this year. Post-punk basslines throb under Wendy’s dark vocals, accompanied by glimmers of needling synths and reverb-laden electronic organ, coming together to create a oeuvre that sits somewhere between Siouxsie Sioux and the dramatic mini-symphonies of Brooklyn’s Wood Kid.

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Love From The Moon

Wendy’s debut single Love From The Moon produced by Marc Collin (Nouvelle Vague) will be released by Unknown Pleasures Records on 1st February 2016.
The digital edition single will have a remix of the track by Usher San (Norma Loy/Black Egg) and will also feature a cover of early eighties NORMA LOY’s hit Romance.
Love from the Moon is a song from Wendy’s fourth coming debut album Rose and Thorn released on Kwaidan and !K7 in 2016.

Listen to a sample track
Pre-order the single

 

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